Delighted to be published again in Michael O’Flanagan’s monthly broadsheet ‘Riposte’. ‘Griffeeen Valley Park’ does what it says on the tin: it celebrates the coming of April to my preferred place of (ambulatory) worship and composition. The poem is structured negatively, being a piece that tells you all that a place is not, rather than what it is. That’s the way it is with us poets– Make the simple as complicated! But I really do think there is something in that old Victorian poem that finished with the lines ‘ … One is nearer to God in a garden / Than anywhere else on earth.’ (If he exists at all, that is. But I’m for Pascal’s wager…) Here’s another glimpse of Parnassus, and then the poem…
Griffeen Valley Park
There are no altars here
to dress for worship. Here
no genuflections at the railings,
only trees grown tall
through years of winds and rain
and sunshine streaming
through no stained-glass. Nor
do thuribles bear incense here
but wild flowers send their fragrance
down the riverbank where plainchant
never rises, only murmurings
of waters on their journey
to the sea. Here is full communion
with whatever is unknown,
unknowable, whatever makes,
unmakes, remakes— Whatever is
that shapes the world
as it is now this April,
as it will be in other Aprils.
As it was in the beginning.
i really like this poem. the negative structure works extraordinarily well. Eileen k
LikeLike
It’s an unobtrusive, ‘innocent’ sort of poem. There’s room for them too…
LikeLike